TABULAR ZAPRUDER FILM CHRONOLOGY 2010
by Chris Scally
There has been much recent discussion and debate about the
authenticity of the Zapruder film of the assassination of President John
F. Kennedy in Dallas on November 22, 1963. To a large extent, the non-technical
aspects of that discussion revolve around the questions of when and where
any substitution or alteration of the true camera-original film could have
taken place.
This paper attempts to document the whereabouts of the “camera original”
film (and the three “first-day copies” which were created in Dallas on the
evening of November 22, 1963) in the days immediately following the assassination.
Anyone who embarks on a study like this has endless decisions to make about
whose account to believe, and whose account not to believe. Such decisions
that I had to make are therefore reflected in this paper, but always within
the context of trying to ensure the accuracy of the chronology.
We all owe a debt of gratitude to authors Richard Trask and David Wrone,
for their groundbreaking work in documenting the history of the Zapruder
film. However, I must also acknowledge the work of Gary Murr, who has been
extremely generous in providing me with a large amount of his unpublished
research material. I also wish to express my grateful thanks to Richard Bartholomew
for making his detailed interview notes available to me, and to Doug Horne,
Gary Mack, Josiah Thompson, and Roland Zavada for taking the time to answer
my many queries, and regularly encouraging me to complete this project.
Finally, my thanks to Debra Conway, Larry Hancock and JFK Lancer for providing
a forum through which this paper can be made public.
Date / Time |
Event |
Source |
|
|
|
Nov 22: 8 am |
Zapruder arrives at his office |
Trask, 29 |
10 am |
Sitzman and Rogers persuade Zapruder to
go home for his camera |
Wrone, 9; Trask, 29-30 |
11:30 am |
Zapruder returns with his camera |
Wrone, 9; Trask, 30; Thompson 1998 |
12:25 pm |
Zapruder films Sitzman and the Hesters
in Dealey Plaza |
Trask, 33-4; Horne, 1196 |
12:30 pm |
Zapruder films shooting |
|
12:40 pm |
DMN reporter Harry McCormick fortuitously
meets Zapruder in Dealey Plaza, and discovers he has filmed shooting. |
Trask, 94; McCormick, recollections, 1964
(Belo Interactive CD 2000) |
12:45 pm |
Zapruder returns to his office, and tells
Rogers to call authorities; 2 DPD officers arrive, asking for film,
but Zapruder refuses |
Zapruder testimony, 7H 571; Wrone, 17;
Trask, 33 |
12:50 pm |
Darwin Payne (DTH) tries unsuccessfully
to purchase film rights |
Wrone, 17; Trask, 95, 97-8; Payne/SFM interview |
1:40 pm |
Erwin Schwartz contacts office, and tells
secretary (Mildred) to put camera (still containing film) into office
safe |
Trask, 32, 98; Wrone, 18; Thompson, 1998;
Schwartz/SFM interview |
1:50 pm |
Schwartz arrives at office, followed by
Harry McCormick and Forrest Sorrels of Secret Service |
Trask, 99; Schwartz / SFM interview |
2 pm |
Sorrels orders DPD officers Osborn and
Jones to take himself, Zapruder, Schwartz, and McCormick to DMN offices |
McCormick, DMN CD, 2002; Schwartz interview;
Scally 2010 |
|
DMN unable to process film – Zapruder & party
walk next-door to WFAA studios |
Mack/SFM chronology; Trask, 101 |
2:10 pm |
Zapruder agrees to do live TV interview |
Trask, 101 |
2:10-2:20 pm |
WFAA’s Bert Shipp and Sorrels speak to
Jack Harrison at Kodak about processing film |
Wrone, 20; Trask, 106; Shipp and Harrison
SFM interviews |
2:21 pm |
DPD officer Osborn tells dispatcher that
he and Officer J.B. Jones are on “special assignment” with Sorrels |
17H 428, 480; 23H 885 |
2:45 pm |
Osborn & Jones drive Zapruder party
to Kodak, arriving before 3 pm. |
Trask, 106; Wrone, 21; Zavada Report, Study
1 |
3:15-3:30 pm |
Sorrels returned to DPD HQ following arrest
of Oswald |
Bugliosi, 128; 13H 57 |
4 pm |
Original unslit film (perforated with processing
identification # 0183) shown at Kodak |
Thompson 1998; Wrone, 23; Trask, 109; Horne,
1197; Zavada Study 1 |
4:30 pm |
Osborn and Jones take Zapruder and Schwartz
to their office, and McCormick to DMN office |
Wrone, 24; Trask, 112; Schwartz interview |
6 pm |
Zapruder & Schwartz drive to Jamieson
to get three copies of film made |
Wrone, 24; Trask, 112; Schwartz interview |
6:30-7:45 pm |
Three copies produced |
Wrone, 25; Trask, 114-5; Zavada Study 1 |
8-9 pm |
Zapruder & Schwartz return to Kodak
with original and three copies. Copies developed and perforated with
nos. 0185, 0186 and 0187 |
Trask, 115-6; Wrone, 26; Zavada Study 1 |
9 pm |
Zapruder & Schwartz leave Kodak, and
drive to DPD HQ in search of Sorrels. Sorrels asks them to take 2 copies
to agent Max Phillips at Secret Service office on Ervay Street |
Horne, 1199; Trask, 119-120; Wrone, 26-7;
Schwartz/SFM interview |
9:55 pm |
Phillips sends one copy to Secret Service
Chief Rowley in Washington, and retains other copy (0186) for Sorrels |
CD87, 66; Wrone, 28, 279-280; Thompson
“Six Seconds…”, 311-2 |
10:30 pm |
Zapruder and Schwartz both reach their
homes |
Wrone, 31; Trask, 126-7; Schwartz & Reis
SFM interviews |
11 pm |
Richard Stolley (Life) makes initial contact
with Zapruder. Agree to meet next morning |
Trask, 127; Stolley; Wrone, 32 |
|
|
|
Nov 23: 8 am |
Stolley arrives in Zapruder’s office |
Wrone, 32; Trask, 127 |
Unknown time |
Secret Service Insp. Kelley loans copy
#0186 to FBI’s James Bookhout, who gives it to SA Robert Barrett, who
gives it to SAC Shanklin |
Trask, 120; Wrone, 30 |
Morning |
Two FBI agents view 16mm copy of film at
Kodak for nearly an hour |
Trask, 120; Wrone, 26; Zavada Study 1 |
9 am |
Zapruder shows 8mm copy of film to Stolley
and others in his office. Zapruder sells print rights to Life |
Wrone, 33; Trask, 128-9; Schwartz SFM interview;
Horne 1200 |
10:30 am |
Stolley leaves Zapruder’s office with original
16mm print of film (#0183), which is immediately couriered to Donnelly
printing plant in Chicago, where Life magazine is being prepared. Zapruder
retains the best of the 3 first day copies. |
Stolley, “What happened next”, Esquire,
November 1973, 134-5; Thompson and Mack e-mails to author, May 2010;Wrone,
34; Richard Bartholomew/Schwartz interview, 2004 |
|
Three 16mm b/w copies of film made by Life
in Chicago |
Wrone, 27, 35; Horne, 1199; Trask, 119;
Zavada 2010 |
5:20 pm |
Dallas FBI office send 16mm film (#0186)
on American Airlines flight 20 to Washington HQ |
Wrone, 30; Trask, 122; Horne, 1346 |
10 pm |
CIA Director McCone alerts NPIC Director
Lundahl to expect film. Lundahl calls in Brugioni |
Horne, 1231, 1236 |
12 pm |
Brugioni meets two Secret Service agents
with 8mm copy of film |
Horne, 1231, Wrone, 28-9 |
|
|
|
Nov 24: 6-7
am |
NPIC complete production of briefing boards
and notes for Lundahl / McCone |
Horne, 1230 ff |
During day |
Zapruder shows 8mm copy of film for Sorrels;
Life Chicago send original film to Life HQ in New York; film later
damaged at frames 155-6 and 207-212; Stolley told to purchase all rights
to film; Secret Service make copies of film in Washington |
Trask, 131-2; Stolley; Wainright, “The
Great Magazine”, 369; Wrone, 35; Mack e-mail to author, May 26, 2010;
Zavada e-mail to author, July 9, 2010 |
Evening |
Stolley contacts Zapruder to discuss purchase
of all rights to film |
Stolley, 1973; Thompson, 1998; Trask, 146 |
8 pm |
16 mm film brought from Kodak in Rochester
to McMahon and Hunter at NPIC by "Secret Service Agent Bill Smith." Hunter
recalls nothing of "Smith" or "Rochester". McMahon
says it was original film, but Hunter recalls working on a copy with
no intersprocket images. Hunter says film "not high resolution." |
Horne, 1222 ff; Bugliosi endnotes, 354;
“Murder In Dealey Plaza”, 314-322; Thompson, 2001 |
|
|
|
Nov 25:
Afternoon |
Stolley and Zapruder agree sale of all
rights to film to Life. Dan Rather may have been present for part of
meeting. Stolley leaves with the last of the first-day copies, which
Zapruder retained since Nov 22. |
Horne, 1202; Wrone, 35-6, 283-5; Trask,
146; Mack e-mail to author, May 14, 2010; Zapruder / Time Inc contract,
Nov 25, 1963 |
Unknown time |
Multiple copies of film (#0186) generated
by FBI Lab in Washington between Nov. 23 and Nov. 25 |
Trask, 122; Wrone, 30; Murr (unpubl) 2010 |
8:40 pm |
Dallas Secret Service contact Dallas FBI
office requesting return of their copy (#0186) of the film. Request
passed to Washington HQ |
Wrone, 31; Trask, 122 |
Unknown time |
Possible unauthorised copies of film made
by FBI personnel |
Wrone, 31 |
|
|
|
Nov 26:
3:21 am |
FBI HQ return film to Dallas office on
Braniff Airlines flight 543; film picked up by SA Hall and given to
SA Bookhout |
Wrone, 31; Trask, 122 |
9 am |
Bookhout returns film to Inspector Kelley
(Dallas Secret Service) |
Wrone, 31; Trask, 122 |
|
|
|
Dec 3:
Unknown time |
FBI HQ send one of the two requested copies
of the film to Dallas office |
Murr (unpubl) 2010 |
|
|
|
Dec 5:
Unknown time |
Dallas Secret Service ask FBI for copy
of the film for Dallas Police Dept. |
Wrone, 31; Murr (unpubl) 2010 |
|
|
|
Dec 6:
Unknown time |
FBI HQ send copy of film to Dallas office,
for transmittal to DPD via Dallas Secret Service |
Wrone, 31; Murr (unpubl) 2010 |
|
|
|
Dec 9:
Unknown time |
FBI SA Brown passes copy for DPD, received
on Dec 6, to Secret Service Agent Kunkel |
Murr, (unpubl) 2010; Wrone, 31; Trask,
359 |
Sources:
The following abbreviations are used in the “Source” column in the above
table:
Horne: Doug Horne: “Inside the Assassination Records Review
Board”, Vol. 4, pp. 1185-1377, 2009;
Mack: Gary Mack/Sixth Floor Museum: http://jfk.org/go/collections/about/zapruder-film-chronology;
Murr (unpubl) 2010: Unpublished research material of Gary
Murr, which he very generously made available to the author, July 2010;
Schwartz / SFM interview: Erwin Schwartz Sixth Floor Museum
Oral History Interview (same format for other SFM Oral history interviews);
Scally 2010: Author’s article, A
Process of Elimination,
in the "Dealey Plaza Echo", Vol. 14, No. 2, July 2010;
Thompson 1998: “Why the Zapruder Film Is Authentic”, 1998, http://www.jfk-info.com/thomp2.htm;
Thompson 2001: “The Disinformation Series”, January 9,
2001, available at http://www.jfkresearch.com/Tink/tink.html;
Trask: Richard B. Trask: “National Nightmare on six feet
of film”, Yeoman Press, Danvers, Massachusetts, 2005;
Wrone: David R. Wrone: “The Zapruder Film – Reframing
JFK’s Assassination”, University Press of Kansas, 2003;
Zavada Study: Roland Zavada: Kodak Technical Report 318420P
– “Analysis of Selected Motion Picture Photographic Evidence”, September
25, 1998;
Zavada 2010: Roland Zavada: “Comments on (Horne’s) Chapter
14: The Zapruder Film Mystery”, 26 May 2010.
© Chris Scally, 2010
Illustration
1:

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Illustration 2:
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Illustration 3:
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JFK Lancer's November In Dallas
Power Point Presentation by Chris Scally
Sources:
The
following abbreviations are used in the “Source” column in the above table:
Horne: Doug Horne: “Inside the Assassination Records
Review Board”, Vol. 4, pp. 1185-1377, 2009;
Mack: Gary Mack/Sixth Floor Museum: http://jfk.org/go/collections/about/zapruder-film-chronology;
Murr
(unpubl) 2010: Unpublished research material of Gary Murr, which
he very generously made available to the author, July 2010;
Schwartz
/ SFM interview: Erwin Schwartz Sixth Floor Museum Oral
History Interview (same format for other SFM Oral history interviews);
Scally
(unpubl) 2010: Unpublished paper by the author, March 2010;
Thompson
1998: “Why the Zapruder Film Is Authentic”, 1998, http://www.jfk-info.com/thomp2.htm;
Thompson
2001: “The Disinformation Series”, January
9, 2001, available at http://www.jfkresearch.com/Tink/tink.html;
Trask: Richard
B. Trask: “National Nightmare on Six Feet of Film”, Yeoman Press, Danvers,
Massachusetts, 2005;
Wrone: David R.
Wrone: “The Zapruder Film – Reframing
JFK’s Assassination”, University Press of Kansas, 2003;
Zavada
Study: Roland Zavada: Kodak Technical Report 318420P – “Analysis
of Selected Motion Picture Photographic Evidence”, September 25, 1998;
Zavada
2010: Roland Zavada: “Comments on (Horne’s) Chapter
14: The Zapruder Film Mystery”, 26 May 2010.
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